Tuesday, March 15, 2011

Avant Garde in Russia

Avant Garde in Russia:
  • questioning spacial relationships, visual architecture
  • reoccurring use of black bars
  • Lazistky(sp?) Constructivist
  • his early work is supremacist, practical application
  • 1929 poster using photo montage
  • photography seen as modern way of creating art
  • photo montages become popularly used
  • ides of montage in cinema, The Battleship Potemkin by Eisenstein
  • experimenting with layering images, cutting images, juxtaposing sequences
  • reveals power structure, social relationships
  • Alexander Rodchenko most associated with Constructivism
  • Rodchenko is doing graphic design, creating for the people, moral good
  • 1910-1914 Rodchenko attends art school
  • process is significance of the work
  • starts working for magazine, uses collage, metaphor
  • by 1932 Stalin is in power, oppose artists
  • good art measured in functionality, therefore has moral value
  • De Stijl is movement that develops in Netherlands, utopian approach to aesthetics
  • De Stijl based on functionalism, should be useful
  • characteristics include rectilinear planes, void of surface textures or decorations except for pure, primary hues and black and white, no illustration, mathematical structure
  • looking for universal harmony to use in art
  • Piet Mondrian is well-known in De Stijl
  • Theo Van Doesburg is founder and leader, De Stijl dies with him in 1932
  • ideas of De Stijl are applied to architecture, sculpture, painting, graphic design
  • experimenting with structures, intellectual pursuit, text elements become structure
  • in 1921 introduce format change exploring asymmetrical composition
  • pivotal to modernist design and composition
  • Van Doesburg worked with Dadaists

I think it's interesting that the artists seemed to take such a seemingly simplistic approach to design in the face of revolution. I don't know..I guess I've just been so exposed to American patriotism that I imagine art in response to governmental oppression to be loud and dramatic. But I guess these works have their own quiet drama going on if that makes any sense..as if their restraint was a message in itself. While I don't respond that emotionally to the works, who knows what my response might have been had I lived there at the time. I definitely appreciate the structural approach to design and exploration of spacial relationships..the resulting work is always clean, simple and balanced.

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