Avant Garde in Russia:
- questioning spacial relationships, visual architecture
- reoccurring use of black bars
- Lazistky(sp?) Constructivist
- his early work is supremacist, practical application
- 1929 poster using photo montage
- photography seen as modern way of creating art
- photo montages become popularly used
- ides of montage in cinema, The Battleship Potemkin by Eisenstein
- experimenting with layering images, cutting images, juxtaposing sequences
- reveals power structure, social relationships
- Alexander Rodchenko most associated with Constructivism
- Rodchenko is doing graphic design, creating for the people, moral good
- 1910-1914 Rodchenko attends art school
- process is significance of the work
- starts working for magazine, uses collage, metaphor
- by 1932 Stalin is in power, oppose artists
- good art measured in functionality, therefore has moral value
- De Stijl is movement that develops in Netherlands, utopian approach to aesthetics
- De Stijl based on functionalism, should be useful
- characteristics include rectilinear planes, void of surface textures or decorations except for pure, primary hues and black and white, no illustration, mathematical structure
- looking for universal harmony to use in art
- Piet Mondrian is well-known in De Stijl
- Theo Van Doesburg is founder and leader, De Stijl dies with him in 1932
- ideas of De Stijl are applied to architecture, sculpture, painting, graphic design
- experimenting with structures, intellectual pursuit, text elements become structure
- in 1921 introduce format change exploring asymmetrical composition
- pivotal to modernist design and composition
- Van Doesburg worked with Dadaists
I think it's interesting that the artists seemed to take such a seemingly simplistic approach to design in the face of revolution. I don't know..I guess I've just been so exposed to American patriotism that I imagine art in response to governmental oppression to be loud and dramatic. But I guess these works have their own quiet drama going on if that makes any sense..as if their restraint was a message in itself. While I don't respond that emotionally to the works, who knows what my response might have been had I lived there at the time. I definitely appreciate the structural approach to design and exploration of spacial relationships..the resulting work is always clean, simple and balanced.
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