Tuesday, March 29, 2011

Bauhaus

My Bauhaus

  • school of design
  • in Germany, I think
  • practical and useful design
  • accessible design
  • started by a few men and women
  • they were all designers/professors?
  • geometric designs
  • rectilinear and curvilinear
  • shut down during WWII, I believe
  • functionality important
  • students taught several areas of design
  • arts and crafts aesthetic?
  • extremely important to design history

Real Bauhaus

  • Bauhaus looking for utopian
  • how to model perfect life
  • how can we make things better
  • 1919-1925 Weimar
  • 1923 first public exhibition
  • 1924 letter of resignation
  • 1925-1932 Dessau
  • 1928 Gropius replaced by Meyer
  • 1930 Meyer replaced by van der Rohe
  • 1932-1933 Berlin
  • only open for 14 years
  • roots of design education
  • 1,250 students to pass through
  • Broken Wings final days in Berlin
  • art schools cornerstone of revitalization
  • Weimar after WWI economy shot
  • Walter Gropius there until 1928
  • Gropius director of the Bauhaus
  • Gropius uses cathedral as model
  • 3 spires represent painting, sculpture, architecture
  • thought all should be equally valued
  • high sense of community spirit, believed in it
  • Gropius had council of masters:
  • Gerhard Marks- sculpture, pottery shop
  • Lyonel Feringer- painting
  • Johannes Itten- preliminary courses
  • Itten's goal was to release students creative abilities
  • focused on understanding of physical nature of materials
  • study based on contrast
  • analysis of old masters
  • art made of found objects, all they had
  • tools were limited to what they could find and manipulate
  • in a way scientific, about analysis
  • Itten leaves in 1923, same year as first exhibition
  • started with focus on craft and old methods
  • starts moving towards design thinking and machine
  • great philosophical exchange
  • elements of Cubism, De Stijl
  • art and technology a new unity
  • first exhibition in 1923 pivotal moment
  • Itten replaced by Nagy, a Hungarian Constructivist
  • interested in experimenting with resins, photo montage
  • becomes Gropius' right-hand man
  • piece by Nagy for tires, letterforms art and communication
  • calls this typophoto- letterforms, design, graphics
  • sees photography as replacing painting
  • tries to develop new visual language for new age
  • how do we incorporate appropriate technology
  • how to adapt these technologies for our age
  • making meaningful art with meaningful communication
  • total integration of type and image
  • looking for new language through experimentation
  • invents photoplastik
  • collage, assemblage, montage
  • tension with city forces them to leave
  • move to Dessau, and industrial city
  • works well with Bauhaus creating objects for industry
  • building's windows are curtains of glass
  • modern building design, unlike previous one
  • Sciemmer painting of Bauhaus students ascending stairs 1932
  • Roy Lichtenstein version in 1989
  • started creating for industry
  • cover for Bauhaus Magazine, text and image one
  • cover includes all elements of the Bauhaus
  • made series of books about artists philosophies
  • Baer develops universal alphabet
  • did away with capitals in his type
  • did away with serifs, experimented with flush left and rag
  • contrast and hierarchy, bars, squares, open compositions
  • strong horizons and verticals
  • invitation for Kadinsky's bday has open composition, implied grid
  • final building rather depressing compared to Dessau
  • closed in 1933, recognized they could no longer run

If it weren't for all the political turmoil involved with the Bauhaus, I would have done anything to attend. I love the idea of experimenting with found objects, textures and contrasting elements. It's also interesting that they did practically everything, from furniture design to theater to collage. While I appreciate everything I have done thus far, I sort of wish there was more of a push to design outside the rules and push our ideas beyond the tools we are accustomed to. One of my favorite projects was the Alice book I did for Image and Color because I was experimenting the entire time..using all these different elements from calligraphy to dirt and flowers. I love that architecture played such a strong role..it reminds me of my Dad, who is always trying to talk to me about the Bauhaus. It's funny cause I never thought about how much building I did with toys as a kid. From linknlogs to marble towers to train sets, I feel I was always thinking systematically without even knowing it. This was probably just my Dad trying to brainwash me..but it worked and I'm glad. Maybe it's cause we're German..I can remember a lot of older relatives doing woodwork and handcrafts.

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